{"id":53036,"date":"2018-03-27T20:00:16","date_gmt":"2018-03-27T19:00:16","guid":{"rendered":"http:\/\/fifp.fr\/?post_type=portfolio&p=53036"},"modified":"2018-03-27T20:16:04","modified_gmt":"2018-03-27T19:16:04","slug":"lobi-kuna-avant-hier-et-apres-demain","status":"publish","type":"portfolio","link":"https:\/\/fifp.fr\/en\/portfolio\/lobi-kuna-avant-hier-et-apres-demain\/","title":{"rendered":"LOBI KUNA – Avant hier et apres demain"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"

Lobi Kuna (qui signifie avant-hier et apr\u00e8s-demain en Lingala), raconte l\u2019histoire de Mekhar Kiyosohis, un photographe qui fait un shooting dans un mus\u00e9e africain macabre, et le voit comme le mausol\u00e9 de son h\u00e9ritage culturel. <\/p>\n

Lobi Kuna (which in Lingala means the day after tomorrow as well as the day before yesterday) tells the story of Mekhar Kiyosohis a photographer who views through his lens a macabre museum as a mausoleum of his cultural heritage. <\/p>","protected":false},"author":2,"featured_media":53037,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"portfolio_category":[228,225],"class_list":["post-53036","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-228","portfolio_category-court-short"],"yoast_head":"\nLOBI KUNA - Avant hier et apres demain - Festival International Du Film Pan Africain | Cannes<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/fifp.fr\/en\/portfolio\/lobi-kuna-avant-hier-et-apres-demain\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LOBI KUNA - Avant hier et apres demain - Festival International Du Film Pan Africain | Cannes\" \/>\n<meta property=\"og:description\" content=\"Lobi Kuna (qui signifie avant-hier et apr\u00e8s-demain en Lingala), raconte l\u2019histoire de Mekhar Kiyosohis, un photographe qui fait un shooting dans un mus\u00e9e africain macabre, et le voit comme le mausol\u00e9 de son h\u00e9ritage culturel. 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